R. Gregory Summers

MASTER ARTIST

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Anita Lehmann

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MEDIUM: Oil Paint
SPECIALTY: ✔ Composition, ✔ Color, ✔ Plein Air  

Born in the Flint Hills of Kansas, Gregory Summers began his professional career at Hallmark Cards Inc in 1979.

A Master Engraver, he now paints primarily “En Plein Air” across the globe with a limited pallet of only 4 colors. Former Vice President of the Greater Kansas City Artists Association, co-founder of the Missouri Valley Impressionist Society, and Brush Creek Plein Air: painting competition in Kansas City, Missouri.

“I am inspired by creation and driven by the experience”

Anita Lehmann Artwork
Anita Lehmann Artwork
Anita Lehmann Artwork
Anita Lehmann Artwork
Anita Lehmann Artwork
Anita Lehmann Artwork

R. Gregory’s EXPERTISE

Listed below are this Mentor’s specialty skills. Join this group if you want to grow in these areas.

Specialty: ✔ Composition, ✔ Color, ✔ Plein Air

Technical:

Z

Colour and Composition

Z

Providing Art Critiques

Z

Painting in a limited palette of color

MARKETING & BRANDING:

Z

Social Media

Z

Shows and Exhibits

Mastrius has done wonders for my confidence. I have managed to step way outside of my comfort zone which has in turn given rise to so many more opportunities to further my art career.
~ Deb, Emerging Artist

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MORE ABOUT THE ARTIST

Anita Lehmann Artwork

Selected by the top 5 American art publications for the “Artists of the New Century” exhibit at the Bennington Art Gallery, Summers has embraced the world of landscape painting, winning top awards from coast to coast alongside some of the nation’s best plein air and studio artists.

Summers is an elected member of the Salmagundi Art Club, Signature member of the American Impressionists Society, and the Outdoor Painter Society, along with active membership in the Oil Painters of America, Plein Air Painters of New Mexico, Plein Air Painters Colorado.

FREE eBOOK: Secrets You Won't Learn In Art School

✔ Where creative BLOCKS come from, how to identify them, and how to quickly move forward

✔ What not to be a SLAVE to (this feels counter-intuitive to most artists)

✔ Two things to focus on that improve the VALUE range making your art more interesting

Plus 16 other tips from successful Master Artists that you won't learn in art school.

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