Deb Mostert
MASTER ARTIST
Unlock Your Artistic Potential
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MEDIUM: Oil Paint | Watercolor Paint | Graphite | Pen & Ink | Sculptor
SPECIALTY: ✔ Finding Your Artistic Voice (Narrative) ✔ Technique & Demos ✔ Everyday Sketchbooks
Mostert’s contemporary art practice is 35 years young and involves drawing, painting, sculpture, and public art.
Her work has been built around the search for collected personal objects, a love of natural history and curated public museum collections which can become quirky and crisp conversations around memory, collection, curation, and value. Her daily habit of drawing in a sketchbook feeds her practice.
Mostert holds a Bachelor of Fine Art from Queensland College of Art and has had 18 solo shows and been involved in more than 70 group shows in both regional and commercial galleries. She has won several awards and been a finalist in many National art prizes including the KAAF Art Prize, Redland Art Awards, Archibald Salon de Refuses, Jacaranda Drawing Prize, and Marie Ellis Prize for Drawing.
Mostert has over 20 years teaching experience with workshops and artist in residencies.
Deb’s EXPERTISE
Listed below are this Mentor’s specialty skills. Join this group if you want to grow in these areas.
Specialty: ✔ Finding Your Artistic Voice (Narrative) ✔ Technique & Demos ✔ Everyday Sketchbooks
Technical:
Colour and Composition
Providing Art Critiques
Building Process in a Sketchbook
Marketing:
Shows & Exhibits
Building A Concept
Researching A Body of Work
“Mastrius is a perfect balance of accountability, community and fun.”
~ Elizabeth, Emerging Artist
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MORE ABOUT THE ARTIST
Mostert’s contemporary art practice is 35 years young and involves drawing, painting, sculpture, and public art.
Her work has been built around collected personal objects, natural history and curated public museum collections which can become quirky and crisp conversations about memory, collection, migration, curation, and value.
Education
2004-2006 Bachelor of Fine Art, Queensland College of Art, Griffith University, Australia.
