Sharon Lynn Williams

MASTER ARTIST

Unlock Your Artistic Potential

Mentorship is the fastest way to go from where you are today, to where you want to be!
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Mentoring Emerging Artists
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MEDIUM: Oil Paint | Acrylic Paint | Watercolour Art | Mixed Media Art | Encaustic Paint
SPECIALTY: ✔ Generalist

My passion is helping artists to paint with their own individual voices rather than reproducing a photograph. The best way I have found to do this is by teaching a self critique process where we look at 3 stages of art creation: before you begin to paint, during your painting process, and at the end of the process.

“My goal and ambition is to bring beauty and peace into people’s homes through my art, and to offer the life-giving joy of creation to my art students.”

Artwork by Sharon Lynn Williams
Artwork by Sharon Lynn Williams
Artwork by Sharon Lynn Williams
Artwork by Sharon Lynn Williams
Artwork by Sharon Lynn Williams

Sharon’s EXPERTISE

Listed below are this Mentor’s specialty skills. Join this group if you want to grow in these areas.

Specialty: ✔ Generalist

Technical:

Z

Colour and Composition

Z

Supplies and Tools – what to use, where to save, and where to spend

Z

Providing Art Critiques

Z

Teaching How to Self Critique

MARKETING & BRANDING:

Z

Shows and Exhibits

Business:

Z

Pricing Artwork

Z

Running your art business the day-to-day

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MORE ABOUT THE ARTIST

Artwork by Sharon Lynn Williams
Artwork by Sharon Lynn Williams
Artwork by Sharon Lynn Williams
Artwork by Sharon Lynn Williams

I have been passionately painting and teaching in diverse media and subjects for over 35 years, and have earned signature status in the Federation of Canadian Artists (AFCA) and the International Plein Air Painters (IPAP).

My current work is based in my love for the landscape, filtered through my extensive background of color and design, to express the joy and freedom I find in the subject. After a 20 year studio career, primarily in abstraction, 8 years ago I began to paint ‘en plein air’ (outside in front of the scene) in order to truly understand the way light plays on the landscape and to teach myself to paint in oils. I was able to really absorb myself in it, not only the visual input but also through my other senses. The feel of the breeze, the smell of the earth and foliage, and the sounds of nature were also able to be captured within my work, and that made all the difference.

I published a book called “En Plein Air -One Artist’s View” to show how I interpret what I am seeing.

After that time, the experience on the land was in my soul, and I felt the freedom to begin to express myself in less representational ways. I began to seek a more personal and contemporary expression, often moving into working from my imagination in mixed media -moving back to my roots in abstraction. That experimentation began in the studio using acrylic paint for its quick-drying and ease of radical shifts in direction. The new aesthetic that I have developed focuses on a limited amount of very interesting shapes; strong decisive brush marks; inventive, pushed, and gradated color; flattening of the picture plane; pattern, and strong value contrasts. As my mantra is “What would happen if…”, I am always exploring new ways to make my work and always growing as an artist. The excitement of working from chaos to order is invigorating and creates a dialogue between the work and the artist that I love. My interpretation of the beauty around me, as well as my vivid imagination make for an eclectic and varied body of work!

My work can be seen in person at the Leighton Art Centre and Lineham House Galleries and on my website.

FREE eBOOK: Secrets You Won't Learn In Art School

✔ Where creative BLOCKS come from, how to identify them, and how to quickly move forward

✔ What not to be a SLAVE to (this feels counter-intuitive to most artists)

✔ Two things to focus on that improve the VALUE range making your art more interesting

Plus 16 other tips from successful Master Artists that you won't learn in art school.

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